Zach, Mark and Broden return to the podcast on one of the last stops of the campaign trail for their new Netflix special “Aunty Donna’s Big Ol’ House Of Fun”. It’s an extraordinary achievement, as they bring exactly what’s brilliant about their live work to the TV, and it will have you breathless with laughter.
Purveyors of, in the words of one ComCom fan, “Dubstep Python”, they reveal all about the first edit of the show where no one laughed, choosing authenticity over perfection, why none of the context matters, and how they managed to make a TV show without compromising on anything.
25 minutes of extra content available exclusively to members of the Insiders Club includes the boys on the polarising ability of their work, which sketch grabs new fans most successfully, their three-take system for improvising on camera, and how much pud is a little bit of pud…
Go to www.comedianscomedian.com/insiders for this and much more, including the exclusive Insiders Q&A with James Acaster.
Everything Stu's up to:
Stu’s “Infinite Sofa” chat show is now available as the perfect solution to remote-working office parties, motivational and team-building events.
“It was an absolutely hysterical and wonderful evening, for both those partaking and everyone watching online!” Maria Kuzak (Fundraising Manager at CALM)
For more info on how this unique concept can bring your staff together while working apart, go to www.virtualofficeparty.co.uk
Stu also offers remote talks to business on what the distilled wisdom of over 350 comics can teach you about resilience, especially in times of pandemic.
“The most inspiring talk I’ve had in years!” (LEGO staff member)
Find out more at www.comedyinsights.com
This podcast is @ComComPod on twitter and instagram
Filed Under: Alternative Comedy, Audiences, Aunty Donna, Australia, Character, comcompod, Comedy, Edinburgh, Interview, Netflix, Onstage Persona, Reviews, Risk, Sketch, SNL, Stage Persona, Stand Up, Stephen Fry, Streaming, Structure, Success, Surreal, TV Comedy, Worth, Writing, Writing Jokes, Writing On Stage, YouTubeComments: No Comments